Story: Sep 11, 2014
Two CIA grads commissioned for CWRU public art works
CIA Exhibition: Aug 28, 2014
2014 Faculty Exhibition
Story: Sep 10, 2014
Painting chair curates exhibition exploring art, materials
Events: Sep 06, 2014
Mizoguchi's Greatest Decade
Social: about 20 hours ago via Facebook
CIA is very excited to welcome fall 2014 artist-in-residence Chi-Yu Liao, who comes to CIA from Taiwan. A specialist in video installations, Liao artistically e...
Story: Sep 02, 2014
CIA ingenuity will be on display at arts and technology fest...
Events: Sep 27, 2014
Filmmaker and author John Waters to present one-man show
Story: Aug 27, 2014
New residence hall welcomes first-year students in comfort, ...
Events: Oct 18, 2014 @ William Busta Gallery in Cleveland, OH
A Creative Life featuring Paul Yanko
Blog: Sep 17, 2014
9/18-21: Polyester, Ivory Tower, Policeman & more!
Blog . Special Effects Zombie Photo Editing
The Walking Dead TV series is about to start up again and I'm in the Halloween spirit! I'll show you how I transformed a photo to look like the undead in Adobe Photoshop. Also, keep this in mind for the zombie photo contest the Digital Canvas Initiative will be hosting!
I started with a picture I found on Wikimedia Commons of a dramatic self-portrait. Wikimedia Commons is a great resource for photos, sound, and video in the public domain. In Adobe Photoshop, I stumbled upon a great technique using the burn tool while giving a digital painting demo. Usually I make new layers for EVERYTHING, but this time on accident I was using the burn tool right on the image and discovered it made the guy in my photo look like he got punched in the eye. The more I layered the amount of burn, the more gruesome his face became.
Playing with the different brush shapes will really make this effect look convincing. I used the blob and splatter-shaped brushed to go back over the burned areas on his face with some red, green, yellow, and purple to make the bruising more believable. I also used the long, bristly brushes to give him some scratches.
I took advantage of the blending modes of the layers and brushes to mesh my painting layers with the photograph. For the bloodshot eyes, I took the opacity of my brush way down and set the layer to "multiply."
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